I grew up listening to M People. I’d probably still say they are my favorite band, although I listen to them much less now than I did when I was 15. Mum & Dad bought me their album Bizarre Fruit II for Christmas in 1996 and I became addicted to it. Then in 1997 we went to see them live at the Hull Arena for their Fresco tour. I bought the album shortly after that and became addicted to that too.
Over the next few years most of my money was spent on building a collection of M People CD singles: their total of four albums I managed to collect quite quickly – and all the international versions thereof – but by probably 2000 I had managed to complete my collection. I owned every M People release.
After Fresco in 1997 and their subsequent Best Of album in 1998, I waited for their next album. It never came. And I never understood because they were at the top of their game, they were successful and so popular, but the next album just never happened. Heather Small made a solo album, and the band toured and kept touring for years – in fact they never split, so I always hoped. Even until last year when Heather finally announced she was leaving the band, I had hope that they might record new material. It didn’t happen.
Artists that I love do seem to have a habit of doing this. Not all of them, of course, but I become wary of getting too attached to bands and artists now. My favorites seem to do disappearing acts too often, so I tend to just assume that every album is their last nowadays.
I discovered Moloko pretty late in their career – towards the end of their promotion of Things to Make and Do which was their third album. I bought their fourth, Statues, on a whim and I fell in love with it. I am still in love with that album and I think I always will be. It was a wonderful final album for a band that I discovered I loved when I went and bought the rest of their albums on the strength of Statues, but like M People, they put out a Greatest Hits and then just stopped recording. Lead singer Roisin Murphy put out a couple of solo albums, but then even she disappeared for eight years before recording (the rather delicious) Hairless Toys last year. She’s got something new coming this year but because of what seems to happen with artists I love, I won’t believe it until I’ve bought it.
Confessions on a Dance Floor would have been a perfect final album from Madonna. To me it felt like a retrospective, like a goodbye, and like it was the album she had always wanted to make. It wasn’t of course – she’s put out another three since then. But I’ll say the same about her latest, Rebel Heart – it feels like it could be her last. I’m sure it won’t be.
Macy Gray’s Big should have been her last. I loved her first three records, but when I bought Big over Easter in 2007, I was sure she would never make a better one. To date she hasn’t. The Sellout was flat, her collection of cover versions was dreadful, and although she gave a good effort when she recorded a version of Stevie Wonder’s Talking Book in its entirety, it was disappointing. I wonder if I would have lamented Macy Gray’s disappearance if she had quit after Big. I’m sure I would have.
Perhaps the Spice Girls should have given up after Spice World as well. Their two albums were pop perfection (despite most of the non-single tracks on Spice being garbage), and what became their last album seems to tarnish my memories of them. The Ting Tings, whose first album I adored, made a “could do better” second album, and then a third which honestly sounded like they were happy enough with demos of some songs they had written, and didn’t bother to do any real production on them. They should have quit while they were ahead.
So I wonder – was M People’s disappearance a good thing? Could they ever have made an album as good as their first four or would they have become tired and gone the way Macy Gray did? I’ll never know I guess.
But I wonder.