My thoughts on MDNA

MDNA by Madonna is four years old today. I’ll be honest, it’s one of my least favorite Madonna album, and I don’t think it’ll be one of the ones she’ll be remembered for but, that said, I think it does stand up as a pretty decent dance album. Highlights for me are still Girl Gone Wild (which I do think is one of Madonna’s very best club tracks) and I Don’t Give A.

Here’s what I wrote about the album when I first listened to it.


 

I’ve listened to MDNA a couple of times, and I must say it is growing on me. I was hoping for something I’d love as much as Confessions or Ray of Light, but what I think I’ve got is something like Music: an album that is essentially good, but something I cannot fall in love with.

 

Girl Gone Wild

I was initially disappointed, but after having listened to this quite a few times, and with an open mind, the album’s opener does seem to be one of the better tracks. It’s very Madonna.

Who did it first?

For a song about girls just wanting to have fun and breaking the rules by, umm, dancing and having casual sex, Cyndi Lauper’s Girls Just Wanna Have Fun feels a little more authentic.

 

Gang Bang

Gang Bang feels very ‘underground’. A driving beat, very bassy. I like it. The production on the vocals is outstanding and even makes you forget that Madonna isn’t actually a very good singer. Overuse of the word ‘bitch’ is a little grating though.

Who did it first?

For a song about killing a lover and having no remorse, try Strange Behaviour by Macy Gray.

 

I’m Addicted

I’m still not sure on this one. It sounds like MDMA. I think there’s a really good song in there somewhere, but it sounds like a remix and almost as if the producers have tried to drown out Madonna’s vocals with special effects and, well, production.

Who did it first?

For a song about being addicted to a lover as if he were a narcotic, Like a Drug by Kylie Minogue ticks all of my boxes.

 

Turn up the Radio

More dance-pop-pop-dance, which is what Madonna does best. The lyric is trite, but not painfully so. In essence, it sounds like what a Madonna song should sound like in 2012.

Who did it first?

For a song about what to do when all else fails and you long to be something better than you are today and the advice being: dance, try Vogue, by Madonna.

 

Give Me all your Luvin’

What Madonna does, you see, is make music that is slightly ahead of the times. It’s off-putting, and even when she gets it right, people get confused. The other problem is that normally it isn’t as light and fluffy and, well, poppy as Give Me all your Luvin’. We were expecting something ahead of the trends like Music, and we got something ahead of the trends like Like a Virgin.

Who did it first?

For a song about being a bit in love and wanting to sing a song about it try … well … anyone. Everyone. This is just decent pop music for the year 2012.

 

Some Girls

If you can ignore the lyrics – which I can’t – this is a good track. It does for MDNA whatRunaway Lover did for Music: it tells you what the album sounds like, but it’s not what you’ll remember the album for.

Who did it first?

For a song about every other famous girl being a slut who gets what she wants by giving head, the similarly titled Some Girls by Rachel Stevens is a little more subtle.

 

Superstar

A lovely song that just makes me want to smile. It does win the award for Worst Line Of The Album (‘You can have the keys to my car / I’ll play you a song on my guitar.”), but it makes up for it in niceness and Madonna-ness. Madonna sounds very at home and relaxed on this track, and it feels like the sort of song she wants to be singing.

Who did it first?

Again, a song that is unashamedly unoriginal. So it would be wrong to lambast it for being so.

 

I Don’t Give A

She’s still drinking soy lattes. A dodgy bit of rapping that only Madonna can make sound good sets an uneasy, dark mood for this almost personal track. And Nicki Minaj does do rather well on this.

Who did it first?

For a song about the perils of getting married when you’re famous, and the inevitable messy divorce, I’m reminded of Tell Me by Mel B (nee G, nee B).

 

I’m a Sinner

William Orbit works his magic on this one, and I’m reminded how brilliant Beautiful Strangerwas. It’s a bit psychedelic, a bit full-on and a bit makes-you-want-to-dance (which the songs about dancing on this album, unfortunately, don’t). I like happy Madonna. And this is happy Madonna.

Who did it first?

For a cheeky little number about being a bit naughty, how about Bad Influence by Pink? I’m clutching at straws here, because Madonna has done this very very well.

 

Love Spent

William Orbit with some Die Another Day-style strings and a banjo that works surprisingly well. Madonna presents another more personal song that holds the album together, but is not single-material. A definite thumbs-up.

Who did it first?

Now, being a Macy Gray fan, I can’t help but notice that the lyric is very similar to Treat Me Like Your Money from Macy’s Big album, with some lines lifted almost directly from that track. Shameless plagiarism by Jean-Baptiste (although he did in fact write both songs).

 

Masterpiece

It’s been too long since Madonna has done a proper ballad (“ballad”), so it’s nice to have a bit of a come down, and as well for Madonna to show us that despite the fact she can’t sing, she’s a very good singer.

 

Falling Free

Remember all that vocal training that Madonna had for Evita. Well, so does she in this gorgeous, gorgeous song. Madonna glides over lovely string arrangement, with some plinky piano bits. I’m reminded of Mer Girl from Ray of Light, and how that left me feeling empty (in a good way). This leaves me feeling as full as that left me empty.

Who did it first?

Like with Masterpiece, this is Madonna just being Madonna with no front and no-nonsense and no hype.

 

 

Some more thoughts:

There’s nothing on here as awful as Spanish Lesson from Hard Candy.

There’s nothing on here as good as Hung up.

All in all, I feel the same way about this as I feel about Music.


 

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